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Adelaide Festival gives a hopeful vision for the future of Australian contemporary danceThe introduction of Indigenous leadership for the company is welcome. There is a history of cultural appropriation across ...
The artistic director’s contract extension comes as the major performing arts company also gets a new executive director, after being without one for almost a year.
There is a history of cultural appropriation across many Australian dance artists, from Beth Dean and Rex Reid in the 1950s, to the complex case of Jiri Kylian’s Stamping Ground (1983 ...
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