Molima Molly Pihigia shares her insight as a founding member of Falepipi he Mafola: the award-winning Niuean handicraft group.

Jean Sergent steps us through how one risk-share theatre managed in the confusing days before lockdown, and captures some of their immediate reflections now.

Brook Konia on Russ Flatt's new moving image, Te ahua, te wa, te atea, which depicts the transformation of the whenua in Heretaunga, and ruminates on the broad history of land sales in the area.

Writer Laura Toailoa shares lessons learnt from Animorphs, the 90s children’s book series, in the most mentally challenging year of her life.

Arela Jiang 姜美淳 connects with Louise Jiang, the very human creator of one-person show Actor//Android, exploring what it means to implode from burnout.

In early June we held a launch event for our Pantograph Pals (and a celebration of our 13th birthday) at Season in downtown Tāmaki Makaurau. We invited a few contributors to speak to our journal’s ...

After returning to the workshop of his teacher and mentor, Robert Jahnke, Isiaha Barlow is drawn back into the world of Toi Māori.

DJ and Musician Brown Boy Magik's curated playlist for Issue 6: Vibe shift. It kinda goes HARD.

The final round-up of Tāmaki Makaurau’s 2023 Pride Festival - featuring coverage from local darlings Bad Apple, Theatre Scenes, Rat World Magazine.

Ōtepoti, we're heading your ways in September! Click this link to read and register for Pantograph Punch x Ōtepoti Writer Lab's upcoming publishing workshop and hear about opportunities coming your ...

Jess Karamjeet, the founder of the Pan-Asian Comedy School Aotearoa, aka PACSA (Laughs), reflects on her journey into comedy, and her hopes of joy across diverse communities.

20-something girlies sitting on a couch, chatting about love, friendship and honesty. Janhavi Gosavi reviews To All the Friends I’ve Lost Before at Wellington Fringe.