Behance co-creator Scott Belsky has announced he’s leaving his position as Adobe’s Chief Strategy Officer to become a partner ...

There’s no place for originality in architecture! Nobody can improve on the buildings of the past!”  Those are the second and ...

If you’ve sat down to watch a show and thought “That should have been a movie,” here’s why it’s become the scourge of ...

This month’s monsters include an American psycho, a thin-skinned mad scientist and a creep named the Calendar Killer.

The U.S. Copyright Office offers little clarity on how Hollywood should approach protection for works in which AI tools were ...

A tale like this one requires a lot of inventive filmmaking. … The Zucheros bring a great deal of imagination to the task, ...

Six movies can win Oscars' best picture prize: "Anora," "The Brutalist," "Conclave," "A Complete Unknown" "Emilia Perez" and ...

Catch Gerard Butler in the sequel to "Den of Thieves" or Tom Hanks in his latest collaboration with Robert Zemeckis.

Can You Feel the Beat, which Lisa Lisa executive-produced alongside her manager, Toni Menage, touches on the music-industry ...

Following Stefon’s departure from the “Weekend Update” desk in 2013, Moynihan’s Drunk Uncle became the segment’s most ...

The director has only made movies set in the past, but he has chosen wildly different settings for each project.

Hollywood is famous for its profligacy so it seems a contradiction for a major studio to refer to a movie which only cost $145.1 million as blowing its budget. Not for Netflix.