Kenneth MacMillan’s Romeo and Juliet, set to the evocative score by Sergey Prokofiev, is one of the Royal Ballet’s best-loved works. Premiered in 1965, last night was the 537th performance ...

Sarasota Ballet presents the company premiere of Frederick Ashton’s 1955 ‘Romeo & Juliet’ which connects three generations of Schaufuss dancers ...

Sir Kenneth MacMillan’s Romeo and Juliet continues ... heightened by the time we reach the balcony pas de deux and finally some privacy away from Juliet’s parents and her fussy Nurse (Kristen ...

The Bushnell announced the eight musicals that will comprise its 2025-2026 Broadway Series season, including SUFFS, Spamalot, ...

After a five-year wait due to COVID, The Sarasota Ballet presents a belated company premiere of Sir Frederick Ashton’s ‘Romeo and Juliet’ ...

It starts with a tumultuous crowd scene that becomes a full-on brawl, then sweeps us off to Juliet ... s having Romeo that there’s no sense from her of revelatory wonder in the balcony pas ...

These are interesting times as QB still tries to find its feet following the retirement of transformational artistic director ...

Patrick Schwarzenegger has said that his "finest work" was a cameo in a music video for very well-known pop star and ...

Trapped and alone, Juliet sits on the end of her bed, staring into space as Prokofiev’s music surges around her. And in the tomb scene, Romeo half-drags her lifeless body through the steps from ...

This, the character Anne reminds in the middle of “& Juliet,” is how the show is meant to be. In the first few pages of “Romeo and Juliet,” we learn the fate of the titular characters.