Babak Anvari’s psychological thriller with a hint of dark fairy-tale horror follows a husband and wife driving through the ...

Hallow Road director Babak Anvari and star Matthew Rhys discuss Rosamund Pike's performance, post-credit Easter eggs, and more at SXSW.

It's every parent's worst nightmare. The phone rings in the middle of the night, and it's your child sobbing, calling for your help, and time is running out. What would you do to save them?

Minimalist, two-hander, nearly single-location horror-thrillers that unfold in real time can - and should - take any number of formal and narrative liberties, but it's crucial that they use them ...

The worst nightmares are the ones you can believe in. They feature the people you love in your life—and sometimes the people you fear. And no matter how weird or unforgiving they become, the ...

Set almost entirely during an urgent car ride, Babak Anvari’s “Hallow Road” begins as an intensely performed, deftly minimalist family thriller about two parents driving to the scene of ...

Rosamund Pike is back with new thriller Hallow Road, and early reviews are positive. The film kicks off when two parents (Pike and Matthew Rhys) receive a call in the middle of the night from ...

Director Babak Anvari, responsible for Under The Shadow and Wounds, is known for his dark examinations of the human psyche with nightmarish imagery and complicated characters who are, often, hard ...

Read up on the latest Hallow Road News, Reviews and Features from the team at Collider. Babak Anvari and Matthew Rhys discuss using The Volume, creating tension in a confined space, and Rosamund ...

Two very stressed out parents find themselves on an endless drive in the latest film from the director of "Under the Shadow." Minimalist, two-hander, nearly single-location horror-thrillers that ...

British Iranian director Babak Anvari’s best film since his sensational 2016 debut feature Under the Shadow is about as lean and mean as they come. For most of its run time, Hallow Road unfolds ...

Minimalist, two-hander, nearly single-location horror-thrillers that unfold in real time can — and should — take any number of formal and narrative liberties, but it’s crucial that they use them to ...