We reflect on the legacy of the global pandemic by exploring the long-term impact it has had on creatives and agencies ...

The exhibition at CCCB Barcelona celebrates the comic book artist and New Yorker collaborator’s weighty influence on the ...

Artist Maurizio Cattelan’s new exhibition at Gagosian in London is being teased with a cryptic poster campaign illustrating ...

Bumble’s global head of copy reflects on the power of good writing to entice audiences to brands and why not everyone needs a ...

Somer Valley Brewing has revealed new branding by Supple Studio that uses textures and colours lifted directly from its ...

Language has the power to create connections, but in the workplace it can just as easily build barriers. Is it time to throw ...

Jeffrey Ludlow explores how donor signs on cultural institutions symbolise power and wealth, but also sometimes controversy ...

Editor and writer Mark Sinclair picks his favourite book cover designs of this year, plus opens with a few reflections on industry trends that have emerged in 2022 Last year I began CR’s round-up of ...

Documentary photographer Craig Easton photographed his series Bank Top in 2019 and 2020, the body of work named for the small pocket of Blackburn, England in which it was made. The aim was to tell an ...

We talk to DLMDD co-founder Max De Lucia about why the agency is betting on aroma being the next big thing in sensory ...

When Penguin Modern Classics decided to bring back its Crime and Espionage series, one design feature was surely inevitable. For Penguin readers, crime is synonymous with green. The colour has been a ...

London-based illustrator Olivia Twist had an early introduction to the world of visual creativity. Her grandad showed her how to draw when she was four or five years old, and more importantly how the ...